RCM Input colourspace vs Input LUT

RCM Input colourspace vs Input LUT

Postby davefollmers » Mon Mar 12, 2018 4:50 am


I'm working on a thing with a bunch of different sources: ARRI, FS7 etc. I thought I might try out RCM for this but have run up against an issue. When I use RCM, it really accentuates the grain, and overall makes the image a bit ugly. Offline footage is unusable in this mode as you see the compression like crazy. In addition, on the input colourspaces, I have less choices for the specific S-Log curve.If I bypass the input colourspace on the offending clips and use an input LUT (The Arri Log C to 709, and Sony S Log to 709), everything looks beautiful. Even the the offline DNxHD36 stuff looks good.Am I doing something incorrectly or is using input colourspaces a bumpy ride?

Please help

I didn't find the right solution from the internet.

https://forum.blackmagicdesign.com/view ... 21&t=62223
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